
Only 1.6% of DJs are booking five or more gigs — here’s what the numbers reveal about who’s actually thriving in 2025.
Electronic music continues to grow. Festival attendance is on the rise, streaming numbers are soaring, and new DJs are popping up daily. But, peer into the data, and you’ll find a more nuanced story — one that reveals how opportunity distributes in today’s market.

Market Insights: What the Numbers Really Say
Resident Advisor’s database has a total of 134,147 DJ profiles scattered across the global club scene. Just 21,351 — a mere 16% of all profiles — have at least one future booking as of May 26, 2025. These are your “active” DJs.
Dig deeper, and you’ll find 14,327 who show both experience (20+ career gigs) and current activity. But at the very top? Just 2,175 DJs with five or more upcoming shows. That’s 1.6% of the total.
Like any competitive creative industry, electronic music concentrates opportunities for a tiny percentage of the total. The interesting question isn’t whether this is good or bad, but what it means for navigating today’s DJ landscape.
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The Democratisation Effect
Technology has lowered the barriers to entry. Vinyl collections, expensive hardware, and technical expertise - all required heavy investment and a lot of time to master back in the day. Today’s DJ can start with a laptop and a basic controller.
This democratisation has created something fascinating but harsh: rapid growth in participation without a corresponding proportional increase in opportunities. More people can DJ than ever before, but club slots, festival bookings, and residency positions have just not increased at the same rate.
The math is simple — if barriers to entry drop while opportunities remain more or less unchanged, competition intensifies. Democratisation in an oversaturated market doesn’t create opportunity; it alters the limited nature that gave expertise its value.
Perhaps it's for these reasons that Audience Strategies’ “From Mix to Mainstage” research for Toolroom Academy found that 76% of surveyed electronic music artists don’t consider their careers financially sustainable. The economic reality forces 82% to take up jobs unrelated to electronic music, with 56% working full-time in other fields.
What is genuinely interesting, however, is how DJs are responding. Instead of competing over the limited existing slots, many create their own. The rise of DJ-promoted events, warehouse parties, and independent club nights are all great examples of this adaptation.
[quote align=right text="Where you are based affects the number of opportunities available, a fact that becomes crystal clear when looking at where bookings are concentrated"]
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Mapping the Gig Economy
Where you are based affects the number of opportunities available, a fact that becomes crystal clear when looking at where bookings are concentrated, without surprise, in major electronic music cities.
London leads with 14,284 DJ profiles, of which 2,691 are “active” (18.8%), and 397 maintain five or more upcoming gigs. Berlin follows with 12,829 profiles, 2,657 active DJs (20.7%), and 393 in the top tier. Despite having only 2,883 total profiles, Amst