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Myselor’s ‘Infinite’ Album Marks a Meditation on Patience, Depth, and Sonic Storytelling in Electronic Music

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Seven Years of Vision Come to Fruition There’s something increasingly rare in modern electronic music: an artist willing to sit with an idea, let it breathe, and refine it over years rather than months. Enter Dimitrios Chasouras, who operates under the moniker Myselor, and his newly completed album that represents a masterclass in creative patience […]

The post Myselor’s ‘Infinite’ Album Marks a Meditation on Patience, Depth, and Sonic Storytelling in Electronic Music appeared first on EDM Sauce.

Twisted-Electrons FLEXfm Brings FM Synthesis Into a New Groovebox

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I’ve always been interested in grooveboxes that let you start with something relatively simple and gradually work your way toward an actual piece of music without having to immediately jump back into Ableton. The idea sounds easy enough. Put a synth, sampler, sequencer, and some effects in one box, then let the producer get on [...]

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The post Twisted-Electrons FLEXfm Brings FM Synthesis Into a New Groovebox appeared first on Magnetic Magazine.

Gooseberry’s “Gnash” Video Rejects The Content Playbook

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I spend a lot of time thinking about how artists can get more attention on their music, and I’ll be the first to admit that some of the advice out there is getting pretty ridiculous. Apparently, releasing a good song is only half the job now; the other half is knowing how to edit videos, [...]

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The post Gooseberry’s “Gnash” Video Rejects The Content Playbook appeared first on Magnetic Magazine.

Sound Design in Slot Games – Music, Feedback, and Audio Controls

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Sound in interactive games serves two distinct purposes: creating atmosphere and providing feedback on user actions. Music can establish a particular theme, while a short audio cue can confirm a change in the interface’s state. In products intended for adults, audio effects should not be presented as indicators of future game outcomes. An analysis of […]

The post Sound Design in Slot Games – Music, Feedback, and Audio Controls appeared first on EDM Chicago.

Interview: SLANDER & Nejvex Discuss Full-Circle Partnership On “Booster Ignition”

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Nejvex and SLANDER first met digitally in 2023.  After hearing Nejvex’s tunes, the star dubstep duo slid into the young bass artist’s Twitter DMs to ask for tracks to play out and whether he’d be interested in releasing on their labels. At the time, the producer and DJ—born Miloslav Šimon—still lived in a small village […]

The post Interview: SLANDER & Nejvex Discuss Full-Circle Partnership On “Booster Ignition” appeared first on EDM MANIAC.

Who’s Buying All These Vibe-Coded Plugins?

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Vibe-coded plugins are everywhere but does that mean that they’re actually taking over the market? We look at the trend and speak with two developers working with AI as part of their process.

The age of vibe-coded plugins is undeniably upon us. They’re everywhere: blocky, dark and uniform instruments and effects that all tend to look the same, with large knobs and small print. Made with the help of artificial intelligence, these plugins are clogging up the marketplace, filling email inboxes with marketing hyperbole and vying for your hard-earned dollar, pound or Euro. But is anyone actually buying them?

Plugin Slop

Thanks to the availability of AI agents, it’s easier than ever to churn out software, even if you don’t know how to code. While this seems cool on paper – “I can make any plugin I can imagine!” – the reality is less exciting, with cookie-cutter compressors, clippers and bog-standard VA synths piling up in the forums. 

A recent article in Futurism called “The Economy Has Spoken: Stuff That’s AI-Generated Has Almost Zero Value” points out that products made by AI are extremely unpopular. It mentions CGTrader, an online marketplace for 3D assets used by video game developers, film editors and 3D-printing fans. One in six models on the site now are AI-generated, but they account for only $1 out of every $90 in revenue, according to the story.

“The upload numbers alone would suggest a takeover,” the article continues. “The revenue numbers say otherwise, and buyers refusing to pay for AI-generated models is saying something bigger than no thanks: it is a signal of how far they trust AI generation itself.”

This is about 3D models, but AI-generated music - which is closer to home for Attack readers - tells a similar story. Although it accounts for about half of daily uploads to streaming sites like Deezer, listenership remains around 1% to 3%. And, although we don’t have numbers for paid downloads of vibe-coded plugins, general online reaction to AI-built plugins would indicate a similar reaction.

[quote align=right text="The Economy Has Spoken: Stuff That’s AI-Generated Has Almost Zero Value"]

Support and Reliability Are Real Concerns

Beyond the bland GUIs and uninspiring sound of slop plugins, however, lie real causes for concern. Bedroom Producer’s Blog, a site that regularly covers freeware, is on the frontline of the slopification of music production. In a recent article, site editor Tomislav Zlatic points out the danger in the distance in coding know-how between the AI agent and the prompter: “Vibe coding hands you a wall of code that whoever ‘made’ the plugin probably can’t read, much less debug. A badly coded plugin can destroy your work on a project, or, even worse, it can cause loud bursts of noise that damage your hearing.”

Being able to trust the plugin was the biggest concern expressed when we asked for people’s opinions about vibe-coded plugins on social media. “I see it like modding a video game,” said musician Mike Jones. “Could give novel functionality, but I would not trust it to always work.” 

Andrew Booth, who creates software for internal use as part of his job, says similarly, “I’d feel nervous about fully vibe coded stuff since there might be aspects of how it works, how it interacts with other stuff, how it performs that you haven’t r

Mia Koden Returns to Ilian Tape with ‘Decode Vol.2’: A Deeper Dive Into Experimental Techno

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Building on the Foundation Mia Koden’s relationship with Munich’s respected Ilian Tape continues to flourish with the arrival of Decode Vol.2, marking a significant moment in the UK producer’s ongoing artistic evolution. The second installment in this EP series finds Koden operating in a space that feels both confidently established and creatively restless—a sweet spot […]

The post Mia Koden Returns to Ilian Tape with ‘Decode Vol.2’: A Deeper Dive Into Experimental Techno appeared first on EDM Sauce.

Adam Young Brings Heartache to the Dance Floor on Another Life

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By track ten of Adam Young’s Another Life , the request in “Don’t Say No” seems overdue. “come dance with me.” There is a lot to reflect on by this point already – the ache of missing someone, the effort of goodbye, to move onto the next few minutes belonging to someone else now dancing […]

The post Adam Young Brings Heartache to the Dance Floor on Another Life appeared first on EDM Sauce.

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