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Twisted-Electrons FLEXfm Brings FM Synthesis Into a New Groovebox

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I’ve always been interested in grooveboxes that let you start with something relatively simple and gradually work your way toward an actual piece of music without having to immediately jump back into Ableton. The idea sounds easy enough. Put a synth, sampler, sequencer, and some effects in one box, then let the producer get on [...]

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The post Twisted-Electrons FLEXfm Brings FM Synthesis Into a New Groovebox appeared first on Magnetic Magazine.

Sound Design in Slot Games – Music, Feedback, and Audio Controls

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Sound in interactive games serves two distinct purposes: creating atmosphere and providing feedback on user actions. Music can establish a particular theme, while a short audio cue can confirm a change in the interface’s state. In products intended for adults, audio effects should not be presented as indicators of future game outcomes. An analysis of […]

The post Sound Design in Slot Games – Music, Feedback, and Audio Controls appeared first on EDM Chicago.

Interview: SLANDER & Nejvex Discuss Full-Circle Partnership On “Booster Ignition”

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Nejvex and SLANDER first met digitally in 2023.  After hearing Nejvex’s tunes, the star dubstep duo slid into the young bass artist’s Twitter DMs to ask for tracks to play out and whether he’d be interested in releasing on their labels. At the time, the producer and DJ—born Miloslav Šimon—still lived in a small village […]

The post Interview: SLANDER & Nejvex Discuss Full-Circle Partnership On “Booster Ignition” appeared first on EDM MANIAC.

Who’s Buying All These Vibe-Coded Plugins?

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Vibe-coded plugins are everywhere but does that mean that they’re actually taking over the market? We look at the trend and speak with two developers working with AI as part of their process.

The age of vibe-coded plugins is undeniably upon us. They’re everywhere: blocky, dark and uniform instruments and effects that all tend to look the same, with large knobs and small print. Made with the help of artificial intelligence, these plugins are clogging up the marketplace, filling email inboxes with marketing hyperbole and vying for your hard-earned dollar, pound or Euro. But is anyone actually buying them?

Plugin Slop

Thanks to the availability of AI agents, it’s easier than ever to churn out software, even if you don’t know how to code. While this seems cool on paper – “I can make any plugin I can imagine!” – the reality is less exciting, with cookie-cutter compressors, clippers and bog-standard VA synths piling up in the forums. 

A recent article in Futurism called “The Economy Has Spoken: Stuff That’s AI-Generated Has Almost Zero Value” points out that products made by AI are extremely unpopular. It mentions CGTrader, an online marketplace for 3D assets used by video game developers, film editors and 3D-printing fans. One in six models on the site now are AI-generated, but they account for only $1 out of every $90 in revenue, according to the story.

“The upload numbers alone would suggest a takeover,” the article continues. “The revenue numbers say otherwise, and buyers refusing to pay for AI-generated models is saying something bigger than no thanks: it is a signal of how far they trust AI generation itself.”

This is about 3D models, but AI-generated music - which is closer to home for Attack readers - tells a similar story. Although it accounts for about half of daily uploads to streaming sites like Deezer, listenership remains around 1% to 3%. And, although we don’t have numbers for paid downloads of vibe-coded plugins, general online reaction to AI-built plugins would indicate a similar reaction.

[quote align=right text="The Economy Has Spoken: Stuff That’s AI-Generated Has Almost Zero Value"]

Support and Reliability Are Real Concerns

Beyond the bland GUIs and uninspiring sound of slop plugins, however, lie real causes for concern. Bedroom Producer’s Blog, a site that regularly covers freeware, is on the frontline of the slopification of music production. In a recent article, site editor Tomislav Zlatic points out the danger in the distance in coding know-how between the AI agent and the prompter: “Vibe coding hands you a wall of code that whoever ‘made’ the plugin probably can’t read, much less debug. A badly coded plugin can destroy your work on a project, or, even worse, it can cause loud bursts of noise that damage your hearing.”

Being able to trust the plugin was the biggest concern expressed when we asked for people’s opinions about vibe-coded plugins on social media. “I see it like modding a video game,” said musician Mike Jones. “Could give novel functionality, but I would not trust it to always work.” 

Andrew Booth, who creates software for internal use as part of his job, says similarly, “I’d feel nervous about fully vibe coded stuff since there might be aspects of how it works, how it interacts with other stuff, how it performs that you haven’t r

Ultra Miami 2027 reveals Phase 1 lineup with Calvin Harris, Marshmello b2b Subtronics and more

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Ultra Music Festival has revealed the Phase 1 lineup for its 27th edition. Returning to Bayfront Park in Downtown Miami from March 26 to 28, 2027, as confirmed earlier this year, the festival has announced a bill packed with world debuts, major returns and brand-new show concepts. Leading the charge is Calvin Harris, who returns …

Ultra Miami 2027 reveals Phase 1 lineup with Calvin Harris, Marshmello b2b Subtronics and more

Justice revealed as Grand Theft Auto VI score composers, share ‘Flower in a Hurricane’ with Tame Impala and SZA

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Justice have been revealed as the composers of the original dynamic score for Grand Theft Auto VI. Rockstar Games made the announcement alongside the release of the French duo’s new single, ‘Flower in a Hurricane’, featuring Tame Impala, SZA and King Gizzard & The Lizard Wizard. The track provides the musical foundation for the game’s …

Justice revealed as Grand Theft Auto VI score composers, share ‘Flower in a Hurricane’ with Tame Impala and SZA

Above & Beyond bring Anjunabeats Warehouse to Asia for the first time

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Above & Beyond are bringing their Anjunabeats Warehouse concept to Asia for the very first time. The trio will take over two industrial spaces in Kuala Lumpur and Singapore across one weekend this December, joined by Blake.08, Gabriel & Dresden and Spencer Brown. The new event concept was inspired by the energy at the Anjunabeats …

Above & Beyond bring Anjunabeats Warehouse to Asia for the first time

Richie Hawtin leaves WME after 15 years to join Dixon and Âme’s TS Agency

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Richie Hawtin is changing agencies. After more than 15 years with WME, the techno pioneer has announced that he is joining TS Agency, the independent artist booking company founded by Innervisions’ Dixon and Âme. Sharing the news on Instagram, Hawtin explained that the move is part of staying in step with where he is today. …

Richie Hawtin leaves WME after 15 years to join Dixon and Âme’s TS Agency

Gashouder reveals ADE 2026 timetables for Eric Prydz, Armin van Buuren and more

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Amsterdam’s Gashouder has revealed the timetables for its ADE 2026 program. The iconic venue will host ten shows across five days, from October 21 to 25, closing out what it describes as its pre-opening season. Things kick off on Wednesday, October 21 with ‘Swan Lake Remixed for ADE’, part of the festival’s 30 YEARS ADE …

Gashouder reveals ADE 2026 timetables for Eric Prydz, Armin van Buuren and more

The Chemical Brothers reissue ‘Born In The Echoes’ on limited white marble vinyl

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The Chemical Brothers are bringing ‘Born In The Echoes’ back to vinyl by popular demand. The duo’s Grammy-winning eighth album returns as a limited-edition 2LP pressed on 180g white marble vinyl, landing on November 13. Originally released in 2015, the album features some of the most loved records of Tom Rowlands and Ed Simons’ catalogue. …

The Chemical Brothers reissue ‘Born In The Echoes’ on limited white marble vinyl

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